Videographer / Camera Operator - Detroit
At a glance
Mid-level Video Production role at DanceBUG. Detroit · temporary.
Pay not stated Video Production salary
growthroles summary, based on the employer's posting.
What you'll do
- Travel to dance competitions and run cameras and livestream systems during live events
- Watch video feeds during performances, then upload event media with the DanceBUG team
- Complete virtual instruction and learn on-site alongside experienced team members
What you bring
- You have camera or live-production experience, such as sports, weddings, concerts or broadcasting
- You’re authorized to work in the U.S., hold a valid U.S. driver’s license and live within about an hour of a major airport
- You can travel on weekends, handle long days and occasional drives of five to six hours, and lift about fifty pounds
- You can pass a background check
Who this fits
This temporary role suits someone with camera or live-production experience who wants event work without editing or post-production. Expect frequent weekend travel across the U.S., long days and occasional five-to-six-hour drives; the schedule typically runs Thursday or Friday through Sunday or Monday.
From the employer
Sports & Live Event Videographer
Travel the U.S. | Equipment provided | No editing
DanceBUG is hiring videographers for our February–June dance competition season. Bring your camera or live-event experience—we’ll provide the gear and teach you how to film dance.
What We Offer
Starting at $25/hour; overtime after 40 hours per week
Guaranteed minimum daily pay and paid travel days
Flights, rental cars and private hotel rooms paid by DanceBUG
Professional equipment and paid training
Regular weekend work; no editing or post-production
Typical schedule: Thursday or Friday through Sunday or Monday, with events across the U.S.
The Role
Travel to competitions, operate cameras and livestream systems, monitor video feeds, and upload event media alongside the DanceBUG team.
No dance experience required. Training includes virtual instruction in January and at least two live events with experienced team members.
You’re a Good Fit If You
Have experience with cameras or live production—sports, weddings, concerts, theatre, broadcasting, livestreaming, OBS or multi-camera work—and are comfortable with technology and fast-paced events.
Requirements
Authorized to work in the U.S.; valid U.S. driver’s license; within about an hour of a major airport; available for weekend travel; comfortable with long days and occasional 5–6-hour drives; able to lift about 50 pounds; able to pass a background check.
Apply today and film live performances across the U.S.
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